Who Moved My Budweiser

My take on the changing neighborhood



Fort Green aka The Fort, was the first to fall about a decade and a half ago. The once notoriously deadly enclave—at least to those who didn’t live there—is now the hip, swanky hub of buppie Brooklyn. The streets are lined with cafes, boutiques, bistros, wine bars and yogurt establishments. The former don’t-you-go-in-there Fort Green park, where many-a-body and shootout have gone down is now a pristine locale for joggers, picnicers, and doggie walkers.

With The Fort converted into Brooklyn’s version of The Village in Manhattan, black folk had a non-verbal understanding that Bedford-Stuyvesant was our last stronghold in the hood, the last stand. Our history of drugs and violence was so pervasive that not even the bravest of “them” would dare cross the battle lines into Do-or-Die Bed-Stuy. Most folks remained firm in their “I shall not be moved,” conviction, whether it be the families that have owned their homes for generations or the real keeper of the flame, Brotherman on the Corner.

So when I married and moved to the faux Brooklyn suburb of Canarsie, I was confident that the joys of hood life would be alive and well whenever I returned.
You see, there is a certain annoying comfort in the familiar, like drunk “Joe” who greets the customers at the 24-hour corner store, beer can draped in the requisite brown paper bag; the summer block parties notorious for excessively loud music, wild-ass kids running amok, and closed off streets that tie-up traffic every Saturday from July to August; and the cookouts on the sidewalk. Only black folk can do up a cookout on the sidewalk, complete with a grill and folding tables for the potato salad and greens. Just give us a slice of concrete and we can have us a barbecue. Ahh, yes, the joys of the hood.

When my marriage came to an end, I packed up my kids and after a few pit stops returned to my roots, mere blocks from where I grew up. But something had happened to me in my years in faux suburbia. I’d been lulled into a mindset of having arrived. Where, I wasn’t sure, but I was there. As a result, the Friday night shoot outs, blaring police sirens and the constant scream of the ambulances shook me rather than soothed me. I looked with suspicion and alarm at my hooded young brothers and loud, brassy, belly-baring young sisters. But I felt assured that once fully entrenched in the life and style of the hood I would regain my muse and submerge myself in all things Negro.

It soon became alarmingly clear, however, that I was no longer back in Kansas. It was subtle at first, hardly noticeable. There was just one or two of “them.” A fluke? Perhaps they were just real light skin with “good hair.” But as winter turned to spring and then summer, their numbers grew. I’d step outside and see them jogging with their teacup pooches in tow. Where a year earlier it was only the few intrepid men who had set out to explore the exotic world of the Negro life and set down their flag, now their women had come, toting many a curly-headed kid.
Other things began to change, too. The once vast wasteland of the avenues began to sprout antique shops, children’s boutiques, coffee shops with internet access, new “affordable” housing filling one-time empty lots. And for the first time in the history of The Stuy, a veterinarian’s office! Obviously to care for the influx of little dogs.

And where the once behemoth Pathmark had stood, complete with their rude, gum chewing, loud-mouthed cashiers, it was replaced with Foodtown, new management and staff that talked to the customer instead of the person on the other end of their cell phone, and smiled at you rather than rolled their eyes when you put your groceries on the counter. An entire aisle was dedicated to healthy and organic food! Imagine that. At least now I didn’t have to travel back to Canarsie to shop every weekend. (Couldn’t stand those heifers in Pathmark).

It wasn’t just Foodtown or the vet. Along with “them” came bike lanes and tree guards, police patrols, sushi restaurants, safer streets and million dollar price tags on homes. Our once black corner of the world grew smaller as they crossed the bridges from overpriced Manhattan and the divides of Crown Heights and Williamsburg to settle and convert as is their way, their history.

So as our new neighbors reside amongst us, strolling, jogging and biking along our streets, joining our churches, rubbing elbows with us at the local laundry, dreadlocking their hair and standing in line on the weekends to get their soul food from Royal Ribs on Halsey Street; we gather in small groups or chat on the phone about “them.”

“They’re everywhere!” “Can’t have nothing,” we complain. “Not even our own ghetto.” We shake our heads in disbelief, as we sip smoothies at the new outdoor cafe and watch their numbers grow wondering how much longer it will be before the block parties are no more, grilling on the sidewalk is a thing of the past, the music isn’t so loud, the 24-hour store closes by nine and the life and vitality that drew “them” here is washed out and sanitized into something unrecognizable.
I ponder these questions even as I enjoy the amenities that have come to the neighborhood because of “them.” I ponder these questions as I sit in my three bedroom duplex condo, looking out on my backyard, listening not to gun shots and sirens but contractors building a new two-family home across the street even as the mom and pop store on the corner has been shuttered for months and I wonder, just briefly, what corner Joe is standing on now.

ringShout Literary Salon SAVE THE DATE

I am thrilled to be a participant of ringShout and to be in the company of Bernice and Lori. The salon replicates those great literary salons of Harlem Renaissance. Mark your calendar and join us. Please RSVP if you plan to attend.

ringShout: A Place for Black Literature
Invites You to a Salon

Contemporary Popular Fiction and the Black Woman Writer:
Honoring the Tradition While Building Audience

Featuring
Bernice McFadden, Glorious
Donna Hill, What Mother Never Told Me
and
Lori Tharps, Substitute Me

Sunday, October 24th
3:00 to 6:00

At the Home of Martha Southgate
532 Carlton Avenue Between Dean and Pacific
Brooklyn, New York

The authors will join us for the second half of our salon.
Please join us for light fare, good folk, and great talk, including some of this recent online buzz:

Behind the Franzenfreude

and

Black Writers in a Ghetto of the Publishing Industry's Making

RSVP: ringShout@Gmail.com

Writing Workshops Starting Soon-Register

Frederick Douglass Creative Arts Center Fall Writing Workshops


The below classes are those that are confirmed at this point. There WILL BE additions and deletions based on the number of registrations. All workshops are $200. for the 8-week cycle. For Brooklyn Workshops please call 718-270-6400. The Brooklyn Workshops begin on Tuesday, October 6th.
The Open House is made possible in part by support from NYSCA/Special Arts Srevices.

Thursday, October 2
7:00 pm - 9:00pm
8-SESSION CLASS BEGINS
Crafting the Novel-From Concept to Publication by Donna Hill
This class is for those who have a story concept or draft of their novel and those who wish to flesh out their novel in progress. Made possible in part by support from NYSCA/Literature.

Monday, September 29
7:00 pm - 9:00 pm
8-SESSION CLASS BEGINS
Writing and Re-Writing the Novel
Led by the award winning author Grace Edwards
An emphasis in this class on those who have already their first draft but also open to those looking to get started. Sponsored in part by NYSCA/ Literature Grant.

Monday, September 29
6:00 pm - 8:00 pm
8-SESSION CLASS BEGINS
Advanced Acting Workshop
Led by the award winning director/co-founder of the Classical Theatre of Harlem
Alfred Preisser. This workshop is sponsored in part by funding from NYSCA/Special Arts Services.


Monday, September 29
7:00 pm - 9:00 pm
8-SESSION CLASS BEGINS

Writing for Daytime Television
Sojourna Collier
A workshop for those interested in drafting a daytime television pilot or with an interest in learning to write for that field. This workshop is made possible in part by support from NYSCA/Electronic Media and Film.

Monday, September 29
7:00 pm - 9:00 pm
8-SESSION CLASS BEGINS
Advanced Playwriting
Leslie Lee
A workshop directed to those who have at least begun the first draft of their play or have a good idea of what they want to write and have finished a draft of a play previously. This class is supported in part by funding from NYSCA/Special Arts Services.

Tuesday, September 30
7:00 - 9:00 pm
8-SESSION CLASS BEGINS
Creative Writing
Sherée R. Thomas
Prize-Winning author and editor and also former FDCAC student, Ms. Thomas takes the class through a selection of writing exercises that include the short story and non-fiction essays, with an eye to assisting in the process of selecting the style of writing most appropriate for the individual students goals. This workshop is sponsored in part by support from NYSCA/Literature.

Tuesday, September 30
7:00 - 9:00 pm
8-SESSION CLASS BEGINS
Short Story
Nathasha Brooks-Harris
A workshop involved in not only writing and polishing your short stories, but also in offering guidance in where and how to get your stories published. This workshop is sponsored in part by support from NYSCA/Literature.

Tuesday, September 30
7:00 - 9:00 pm
8-SESSION CLASS BEGINS
Childrens Books
Laura Pegram
This fiction workshop AND craft class includes a close reading of excerpts from diverse voices within the genre (e.g., Angela Johnson, Cristina Garcia, Sherman Alexie, Christopher Paul Curtis, Karen Hesse, etc.), as well as a structured written commentary. Emerging writers at all levels will learn to develop their craft and the language of critique during this intensive workshop. This workshop is sponsored in part by support from NYSCA/Literature.
Tuesday, September 30

7:00 - 9:00 pm
8-SESSION CLASS BEGINS
Acting Jacqueline Wade
A workshop for all levels of actors. Sponsored in part by support from NYSCA/Special Arts Services.
Wednesday, October 1
7:00 - 9:00 pm
8-SESSION CLASS BEGINS
Poetry
Jacqueline Johnson
A workshop devoted to the structure and creation of the poem with insight on where and how to get published. Made possible in part by support from NYSCA/Literature.
Wednesday, October 1
7:00 pm - 9:00pm
8-SESSION CLASS BEGINS
Screenwriting
Alan Zatkow
In this workshop the class will begin the first draft of their screenplay getting feedback from both the class and the instructor with insights into what to do once the screenplay is completed. This workshop is made possible in part by support from NYSCA/Electronic Media and Film.
Wednesday, October 1
7:00 pm - 9:00pm
8-SESSION CLASS BEGINS
Beginning Playwriting
Sophia Romma
In this workshop the class will begin the first draft of their play getting feedback from both the class and the instructor. There will also be discussions of individual goals for the completed works. Sponsored in part by support from NYSCA/Special Arts Services.

Wednesday, October 1
7:00 pm - 9:00pm
8-SESSION CLASS BEGINS

Literary Non-Fiction/Memoir
Michel Marriott
In this workshop the class will explore all forms of non-fiction writing, including journalism. Sponsored in part by support from NYSCA/Literature.

Wednesday, October 1
7:00 pm - 9:00pm
8-SESSION CLASS BEGINS

Beginning your Novel
Jaira Placide
In this workshop the class will begin the process of taking that idea for a novel and transfer it onto the page. Sponsored in part by support from NYSCA/Literature.


Thursday, October 2
7:00 pm - 9:00pm
8-SESSION CLASS BEGINS
Television Writing
Alan Zatkow
In this workshop the class will work on drafting a television script, and get an understanding of how the TV industry works. This workshop is made possible in part by support from NYSCA/Electronic Media and Film.
Thursday, October 2
6:00 pm - 8:00pm
8-SESSION CLASS BEGINS
Directing
Led by the award winning director/co-founder of the Classical Theatre of Harlem
Alfred Preisser. Sponsored in part by support from NYSCA/Special Arts Services.
Thursday, October 2
7:00 pm - 9:00pm
8-SESSION CLASS BEGINS
Advanced Screenwriting
Myla Churchill
In this workshop the class will edit their screenplay, getting feedback from both the class and the instructor with insights into what to do to improve their work. Sponsored in part by support from NYSCA/Special Arts Services.



Frederick Douglass Creative Arts Center
270 West 96th Street
New York, NY 10025
212-864-3375
Fax 212-864-3474
E-mail: Fdcac@aol.com
Web Site: www.Fdcac.org